Star Wars is an American epic space opera film series created by George Lucas. The first
film in the series was originally released on May 25, 1977, under the title Star Wars, by 20th Century Fox, and
became a worldwide pop
culture phenomenon, followed by two sequels, released at three-year
intervals. Sixteen years after the release of the trilogy's final film, the
first in a new prequel trilogy of films
was released. The three films were also released at three-year intervals, with
the final film released on May 19, 2005.
Currently, the overall box office revenue generated by
the Star Wars films has totaled at $4.49 billion,[1] making it the third-highest-grossing film series,[2] behind only the Harry Potter and James
Bond films.
The Star Wars film series has spawned a media franchise including books,
television series, video games, and comic books. These supplements to the film trilogies comprise
the Star Wars
Expanded Universe, and have resulted in significant development of
the series' fictional
universe. These media kept the franchise going in the interim
between the film trilogies. In 2008, Star Wars: The Clone Wars was released to theaters as the
first-ever worldwide theatrical Star Wars film outside of the main
trilogies. It was the franchise's first animated film, and was intended as an introduction
to the Expanded Universe series of the same name, a 3D CGI animated series based on a previous 2D animated series of a similar name.
Setting
"Star Wars galaxy" redirects here. For other
uses, see Star
Wars Galaxy (disambiguation).
The events depicted in Star Wars media take place
in a fictional galaxy. Many species of alien creatures (often humanoid) are depicted. Robotic droids are also commonplace
and are generally built to serve their owners. Space travel is common, and many
planets in the galaxy are members of a Galactic Republic, later
reorganized as the Galactic Empire.
One of the prominent elements of Star Wars is the
"Force",
an omnipresent energy that can be harnessed by those with that ability, known
as Force-sensitives. It is described in the first produced film as "an
energy field created by all living things [that] surrounds us, penetrates us,
[and] binds the galaxy together."[3] The Force allows
users to perform various supernatural
feats (such as telekinesis,
clairvoyance, precognition, and mind control) and can
amplify certain physical traits, such as speed and reflexes; these abilities
vary between characters and can be improved through training. While the Force
can be used for good, it has a dark
side that, when pursued, imbues users with hatred, aggression, and
malevolence. The six films feature the Jedi, who use the Force for good, and the Sith, who use the dark side for evil in an
attempt to take over the galaxy. In the Star Wars
Expanded Universe, many dark side users are Dark Jedi rather than Sith,
mainly because of the "Rule of Two" (see Sith Origin).[3][4][5][6][7][8]
Theatrical films
The film series began with Star Wars, released on May 25, 1977. This was followed by
two sequels: The Empire Strikes Back, released on May
21, 1980, and Return of the Jedi, released on May 25,
1983. The opening
crawl of the sequels disclosed that they were numbered as
"Episode V" and "Episode VI" respectively, though the films
were generally advertised solely under their subtitles. Though the first film
in the series was simply titled Star Wars, with its 1981 re-release it
had the subtitle Episode IV: A New Hope added to remain consistent with
its sequel, and to establish it as the middle chapter of a continuing saga.[9]
In 1997, to correspond with the 20th anniversary of Star
Wars, Lucas released "Special Editions" of the original trilogy
to theaters. The re-releases featured alterations to the original films,
primarily motivated by the improvement of CGI and other special effects technologies, which allowed
visuals that were not possible to achieve at the time of the original
filmmaking. Lucas continued to make changes to the films for subsequent
releases, such as the first ever DVD release
of the original trilogy on September 21, 2004 and the first ever Blu-ray release of all six
films on September 16, 2011.[10]
More than two decades after the release of the original
film, the series continued with the long-awaited prequel trilogy; consisting of
Episode I: The Phantom Menace, released on
May 19, 1999; Episode II: Attack of the Clones, released
on May 16, 2002; and Episode III: Revenge of the Sith, released
on May 19, 2005.[11]
On August 15, 2008 Star Wars: The Clone Wars was released theatrically as a
lead-in to the weekly animated TV series of the same name.
Plot overview
The prequel trilogy follows the life of a young slave
named Anakin Skywalker who is
discovered by the Jedi Knight Qui-Gon Jinn, who believes
him to be the "Chosen One" foretold by Jedi prophecy to bring balance
to the
Force. The Jedi Council, led by Yoda, sense that Anakin's future is clouded by
fear, but reluctantly allow Qui-Gon's apprentice Obi-Wan Kenobi to train
Anakin after Qui-Gon is killed by the Sith Lord Darth Maul. At the same
time, the planet Naboo is under attack, and
its ruler, Queen
Padmé Amidala, seeks the assistance of the Jedi to repel the attack.
The Sith Lord Darth Sidious secretly
planned the attack to give his alter ego, Senator Palpatine, a pretense to
overthrow the Supreme Chancellor of the Galactic Republic and take his place.[4]
The remainder of the prequel trilogy chronicles Anakin's
gradual fall to the dark side of the Force as he fights in the Clone
Wars, which Palpatine secretly engineers in order to destroy the
Republic and lure Anakin into his service.[5] Anakin and Padmé
fall in love and secretly wed, and eventually Padmé becomes pregnant. Anakin
has a prophetic vision of Padmé dying in childbirth, and Palpatine convinces
him that the dark side holds the power to save her life; desperate, Anakin
submits to the dark side and takes the Sith name Darth Vader. While
Palpatine re-organizes the Republic into the tyrannical Galactic Empire—appointing himself Emperor for life—Vader
participates in the extermination
of the Jedi Order, culminating in a lightsaber battle between
himself and Obi-Wan.[6]
Obi-Wan ultimately defeats his former apprentice and
friend, severing his limbs and leaving him for dead beside a lava flow.
However, Palpatine arrives shortly afterward and saves Vader, putting him into
a black, mechanical suit of armor that keeps him alive. At the same time, Padmé
dies while giving birth to twins Luke and Leia. The twins are hidden
from Vader and are not told who their real parents are.[6]
The original trilogy begins 19 years later as Vader nears
completion of the massive Death Star
space station, which will allow the Empire to crush the Rebel Alliance, which has
formed to combat Palpatine's tyranny. Vader captures Princess
Leia Organa, who has stolen the plans to the Death Star and hidden
them in the astromech droid R2-D2.
R2-D2, along with his counterpart C-3PO,
escapes to the planet Tatooine.
There, the droids are purchased by Luke Skywalker and his
step-uncle and aunt. While Luke is cleaning R2-D2, he accidentally triggers a
message put into the droid by Leia, who asks for assistance from Obi-Wan. Luke
later assists the droids in finding the Jedi Knight, who is now passing as an
old hermit under the alias Ben Kenobi. When Luke asks about his father, Obi-Wan
tells him that Anakin was a great Jedi who was betrayed and murdered by Vader.[13]
Obi-Wan and Luke hire the smuggler Han Solo and his Wookiee co-pilot Chewbacca to take them to Alderaan, Leia's home
world, which they eventually find has been destroyed by the Death Star. Once
onboard the space station, Obi-Wan allows himself to be killed during a
lightsaber rematch with Vader; his sacrifice allows the group to escape with
the plans that help the rebels destroy the Death Star. Luke himself fires the
shot that destroys the deadly space station.[3]
Three years later, Luke travels to find Yoda and start
his Jedi training, but is interrupted when Vader lures him into a trap by
capturing Han and the others. During a fierce lightsaber duel, Vader reveals
that he is Luke's father and attempts to turn him to the dark side.[7] Luke escapes,
and, after rescuing Han from the gangster Jabba the Hutt a year
later, returns to his training with Yoda, who by this time is on his deathbed.
Before he passes away, Yoda confirms that Vader is Luke's father; moments
later, Obi-Wan's spirit tells Luke that he must face his father before he can
become a Jedi, and that Leia is his twin sister. As the Rebels attack the
second Death Star, Luke confronts Vader as Palpatine watches; both Sith Lords
intend to turn Luke to the dark side and take him as their apprentice.[8]
During the subsequent lightsaber duel, Luke succumbs to
his anger and brutally overpowers Vader, but controls himself at the last
minute; realizing that he is about to suffer his father's fate, he spares
Vader's life and proudly declares his allegiance to the Jedi. An enraged
Palpatine then attempts to kill Luke with Force lightning, a sight
that moves Vader to turn on and kill his master, suffering mortal wounds in the
process. Redeemed, Anakin Skywalker dies in his son's arms. Luke becomes a
full-fledged Jedi, and the Rebels destroy the second Death Star and, with it,
the Empire.[8]
Cast and characters
Further information: List of Star Wars films cast members and List of Star Wars characters
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Character
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Themes
See also: Philosophy and religion in Star Wars and Force (Star Wars)
Star Wars features elements such
as knights, witches, and princesses that are related
to archetypes of the fantasy genre.[15] The Star Wars
world, unlike fantasy and science-fiction films that featured sleek and
futuristic settings, was portrayed as dirty and grimy. Lucas' vision of a
"used future" was further popularized in the science fiction-horror
films Alien,[16] which was set on
a dirty space freighter; Mad Max 2,
which is set in a post-apocalyptic desert; and Blade Runner, which is
set in a crumbling, dirty city of the future. Lucas made a conscious effort to
parallel scenes and dialogue between films, and especially to parallel the
journeys of Luke Skywalker with that of his father Anakin when making the
prequels.[4]
Technical information
All six films of the Star Wars series were shot in
an aspect
ratio of 2.40:1. The original trilogy was shot with anamorphic lenses. Episodes
IV and V were shot in Panavision,
while Episode VI was shot in Joe Dunton Camera (JDC) scope. Episode I was shot
with Hawk anamorphic lenses on Arriflex cameras,
and Episodes II and III were shot with Sony's CineAlta high-definition
digital cameras.[17]
Lucas hired Ben Burtt to oversee the
sound effects on A New Hope. Burtt's accomplishment was such that the Academy of Motion Picture Arts and Sciences
presented him with a Special Achievement Award because it had no award at the
time for the work he had done.[18] Lucasfilm
developed the THX sound reproduction
standard for Return of the Jedi.[19] John Williams composed the scores for all six films.
Lucas' design for Star Wars involved a grand musical sound, with leitmotifs for different
characters and important concepts. Williams' Star Wars title theme has
become one of the most famous and well-known musical compositions in modern
music history.[20]
The technical lightsaber choreography for the original
trilogy was developed by Hollywood sword-master Bob
Anderson. Anderson trained actor Mark Hamill (Luke
Skywalker) and performed all the sword stunts as Darth Vader during the
lightsaber duels in The Empire Strikes Back and Return of the Jedi,
wearing Vader's costume. Anderson's role in the original Star Wars
trilogy was highlighted in the film Reclaiming
the Blade, where he shares his experiences as the fight
choreographer developing the lightsaber techniques for the movies.[21]
Production history
Original trilogy
"Original trilogy" redirects here. For the
video game, see Lego Star Wars II: The Original Trilogy.
In 1971, Universal Studios agreed to
make American
Graffiti and Star Wars in a two-picture contract,
although Star Wars was later rejected in its early concept stages. American
Graffiti was completed in 1973 and, a few months later, Lucas wrote a short
summary called "The Journal of the Whills", which told the tale of
the training of apprentice C.J. Thorpe as a "Jedi-Bendu" space
commando by the legendary Mace Windy.[22] Frustrated that
his story was too difficult to understand, Lucas then wrote a 13-page treatment
called The Star Wars, which was a loose remake of Akira Kurosawa's The
Hidden Fortress.[23] By 1974, he had
expanded the treatment into a rough draft screenplay, adding elements such as
the Sith, the Death Star, and a
protagonist named Annikin Starkiller. For the second draft, Lucas made heavy simplifications,
and introduced the young hero on a farm as Luke Starkiller. Annikin became
Luke's father, a wise Jedi knight. "The Force" was also
introduced as a supernatural power. The next draft removed the father character
and replaced him with a substitute named Ben Kenobi, and in 1976 a fourth draft
had been prepared for principal photography. The film was titled Adventures
of Luke Starkiller, as taken from the Journal of the Whills, Saga I: The Star
Wars. During production, Lucas changed Luke's name to Skywalker and altered
the title to simply The Star Wars and finally Star Wars.[24]
At that point, Lucas was not expecting the film to become
part of a series. The fourth draft of the script underwent subtle changes that
made it more satisfying as a self-contained film, ending with the destruction
of the Empire itself by way of destroying the Death Star. However,
Lucas had previously conceived of the film as the first in a series of
adventures. Later, he realized the film would not in fact be the first in the
sequence, but a film in the second trilogy in the saga. This is stated
explicitly in George Lucas' preface to the 1994 reissue of Splinter of the Mind's Eye:
It wasn't long after I began writing Star Wars
that I realized the story was more than a single film could hold. As the saga
of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that
could take at least nine films to tell—three trilogies—and I realized, in
making my way through the back story and after story, that I was really setting
out to write the middle story.
The second draft contained a teaser for a never-made
sequel about "The Princess of Ondos," and by the time of the third
draft some months later Lucas had negotiated a contract that gave him rights to
make two sequels. Not long after, Lucas met with author Alan Dean Foster, and hired
him to write these two sequels as novels.[25] The intention
was that if Star Wars were successful, Lucas could adapt the novels into
screenplays.[26] He had also by
that point developed an elaborate backstory to aid his writing process.[27]
When Star Wars proved successful, Lucas decided to
use the film as the basis for an elaborate serial, although at one
point he considered walking away from the series altogether.[28] However, Lucas
wanted to create an independent filmmaking center—what would become Skywalker Ranch—and saw an
opportunity to use the series as a financing agent.[29] Alan Dean Foster
had already begun writing the first sequel novel, but Lucas decided to abandon
his plan to adapt Foster's work; the book was released as Splinter of the Mind's Eye the following year. At first
Lucas envisioned a series of films with no set number of entries, like the James
Bond series. In an interview with Rolling Stone in August
1977, he said that he wanted his friends to each take a turn at directing the
films and giving unique interpretations on the series. He also said that the
backstory in which Darth Vader turns to the dark side, kills Luke's father and
fights Ben
Kenobi on a volcano as the Galactic Republic falls
would make an excellent sequel.
Later that year, Lucas hired science fiction author Leigh Brackett to write Star
Wars II with him. They held story conferences and, by late November 1977,
Lucas had produced a handwritten treatment called The Empire Strikes Back.
The treatment is very similar to the final film, except that Darth Vader does
not reveal he is Luke's father. In the first draft that Brackett would write
from this, Luke's father appears as a ghost to instruct Luke.[30]
Brackett finished her first draft in early 1978; Lucas
has said he was disappointed with it, but before he could discuss it with her,
she died of cancer.[31] With no writer
available, Lucas had to write his next draft himself. It was this draft in
which Lucas first made use of the "Episode" numbering for the films; Empire
Strikes Back was listed as Episode II.[32] As Michael
Kaminski argues in The Secret History of Star Wars, the disappointment
with the first draft probably made Lucas consider different directions in which
to take the story.[33] He made use of a
new plot twist: Darth Vader claims to be Luke's father. According to Lucas, he
found this draft enjoyable to write, as opposed to the yearlong struggles
writing the first film, and quickly wrote two more drafts,[34] both in April
1978. He also took the script to a darker extreme by having Han Solo imprisoned in carbonite
and left in limbo.[7]
This new story point of Darth Vader being Luke's father
had drastic effects on the series. Michael Kaminski argues in his book that it
is unlikely that the plot point had ever seriously been considered or even
conceived of before 1978, and that the first film was clearly operating under
an alternate storyline where Vader was separate from Luke's father;[35] there is not a
single reference to this plot point before 1978. After writing the second and
third drafts of Empire Strikes Back in which the point was introduced,
Lucas reviewed the new backstory he had created: Anakin Skywalker was Ben
Kenobi's brilliant student and had a child named Luke, but was swayed to the
dark side by Emperor Palpatine
(who became a Sith and not simply a
politician). Anakin battled Ben Kenobi on the site of a volcano and was
wounded, but then resurrected as Darth Vader. Meanwhile Kenobi hid Luke on Tatooine while the Republic
became the Empire and Vader systematically hunted down and killed the Jedi.[36]
Image
of the original trilogy DVD collection on the top and the prequel trilogy DVD
collection on the bottom.
With this new backstory in place, Lucas decided that the
series would be a trilogy, changing Empire Strikes Back from Episode
II to Episode V in the next draft.[34] Lawrence Kasdan, who had just
completed writing Raiders
of the Lost Ark, was then hired to write the next drafts, and
was given additional input from director Irvin Kershner. Kasdan,
Kershner, and producer Gary Kurtz
saw the film as a more serious and adult film, which was helped by the new,
darker storyline, and developed the series from the light adventure roots of
the first film.[37]
By the time he began writing Episode VI in 1981
(then titled Revenge of the Jedi), much had changed.
Making Empire Strikes Back was stressful and costly, and Lucas' personal
life was disintegrating. Burned out and not wanting to make any more Star
Wars films, he vowed that he was done with the series in a May 1983
interview with Time magazine. Lucas' 1981
rough drafts had Darth Vader competing with the Emperor for possession of
Luke—and in the second script, the "revised rough draft", Vader
became a sympathetic character. Lawrence Kasdan was hired to take over once
again and, in these final drafts, Vader was explicitly redeemed and finally
unmasked. This change in character would provide a springboard to the
"Tragedy of Darth Vader" storyline that underlies the prequels.[38]
Prequel trilogy
After losing much of his fortune in a divorce settlement
in 1987, Lucas had no desire to return to Star Wars, and had
unofficially canceled his sequel
trilogy by the time of Return of the Jedi.[39] Nevertheless,
the prequels, which were quite developed at this point, continued to fascinate
him. After Star Wars became popular once again, in the wake of Dark Horse's comic book
line and Timothy
Zahn's trilogy
of novels, Lucas saw that there was still a large audience. His
children were older, and with the explosion of CGI technology he was now considering returning to directing.[40] By 1993 it was
announced, in Variety
among other sources, that he would be making the prequels. He began outlining
the story, now indicating the series would be a tragic one examining Anakin
Skywalker's fall to the dark side. Lucas also began to change how the prequels
would exist relative to the originals; at first they were supposed to be a
"filling-in" of history tangential to the originals, but now he saw
that they could form the beginning of one long story that started with Anakin's
childhood and ended with his death. This was the final step towards turning the
film series into a "Saga".[41]
In 1994, Lucas began writing the first screenplay titled Episode
I: The Beginning. Following the release of that film, Lucas announced that
he would also be directing the next two, and began working on Episode II
at that time.[42] The first draft
of Episode II was completed just weeks before principal photography, and
Lucas hired Jonathan
Hales, a writer from The Young Indiana Jones Chronicles, to polish it.[43] Unsure of a
title, Lucas had jokingly called the film "Jar Jar's Great
Adventure."[44] In writing The
Empire Strikes Back, Lucas initially decided that Lando Calrissian was a clone and came from a
planet of clones which caused the "Clone Wars" mentioned by Obi-Wan
Kenobi in A New Hope;[45][46] he later came up
with an alternate concept of an army of clone shocktroopers from a remote
planet which attacked the Republic and were repelled by the Jedi.[47] The basic
elements of that backstory became the plot basis for Episode II, with
the new wrinkle added that Palpatine secretly orchestrated the crisis.[5]
Lucas began working on Episode III before Attack
of the Clones was released, offering concept artists that the film would
open with a montage of seven Clone War battles.[48] As he reviewed
the storyline that summer, however, he says he radically re-organized the plot.[49] Michael
Kaminski, in The Secret History of Star Wars, offers evidence that
issues in Anakin's fall to the dark side prompted Lucas to make massive story
changes, first revising the opening sequence to have Palpatine kidnapped and
his apprentice, Count Dooku,
murdered by Anakin as the first act in the latter's turn towards the dark side.[50] After principal
photography was complete in 2003, Lucas made even more massive changes in
Anakin's character, re-writing his entire turn to the dark side; he would now
turn primarily in a quest to save Padmé's life, rather than the previous
version in which that reason was one of several, including that he genuinely
believed that the Jedi were evil and plotting to take over the Republic. This
fundamental re-write was accomplished both through editing the principal
footage, and new and revised scenes filmed during pick-ups in 2004.[51]
Lucas often exaggerated the amount of material he wrote
for the series; much of it stemmed from the post–1978 period when the series
grew into a phenomenon. Michael Kaminski explained that these exaggerations
were both a publicity and security measure. Kaminski rationalized that since
the series' story radically changed throughout the years, it was always Lucas'
intention to change the original story retroactively because audiences would
only view the material from his perspective.[6][52] When
congratulating the producers of the TV series Lost in 2010, Lucas
himself jokingly admitted, "when Star Wars first came out, I didn't
know where it was going either. The trick is to pretend you've planned the
whole thing out in advance. Throw in some father issues and references to other
stories – let's call them homages – and you've got a series".[53]
Sequel trilogy
Main article: Star
Wars sequel trilogy
The sequel trilogy was a reportedly planned trilogy of
films (Episodes VII, VIII and IX) by Lucasfilm as a sequel to the original Star Wars
trilogy (Episodes IV, V and VI) released between 1977 and 1983.[54] While the
similarly discussed Star Wars prequel trilogy (Episodes I, II and III)
was ultimately released between 1999 and 2005, Lucasfilm and George Lucas have for many
years denied plans of making a sequel trilogy, insisting that Star Wars
is meant to be a six-part series.[55][56] In May 2008,
speaking about the upcoming Star Wars: The Clone Wars, Lucas maintained his status on
the sequel trilogy:
"I get asked all the time, 'What happens after Return
of the Jedi?,' and there really is no answer for that. The movies were the
story of Anakin
Skywalker and Luke
Skywalker, and when Luke saves the galaxy and redeems his father,
that's where that story ends."[57]
In January 2012, Lucas announced that he would step away
from blockbuster films and instead produce smaller art-house films. In an
interview regarding whether or not the scrutiny he received from the prequel
trilogy and the alterations made on the original trilogy were a factor on his
retirement, Lucas stated:
"Why would I make any more,... when everybody yells
at you all the time and says what a terrible person you are?"[58]
Future releases
At a ShoWest convention in 2005, Lucas demonstrated
new technology and stated that he planned to release the six films in a new 3-D film format, beginning
with A New Hope in 2007.[59] However, by
January 2007, Lucasfilm stated on StarWars.com that "there are no
definitive plans or dates for releasing the Star Wars saga in 3-D." At
Celebration Europe in July 2007, Rick McCallum confirmed
that Lucasfilm is "planning to take all six films and turn them into
3-D," but they are "waiting for the companies out there that are developing
this technology to bring it down to a cost level that makes it worthwhile for
everybody".[60] In July 2008,
Jeffrey Katzenberg, the CEO of DreamWorks
Animation, revealed that Lucas plans to redo all six of the movies
in 3D.[61] In late
September 2010, it was announced that The Phantom Menace would be
theatrically re-released in 3-D on February 10, 2012.[62][63] All six films
would be re-released in order, with the 3-D conversion process taking at least
a year to complete per film.[64]
Expanded Universe
Main article: Star Wars Expanded Universe
The term Expanded Universe (EU) is an
umbrella term for officially licensed Star Wars material outside of the
six feature films. The material expands the stories told in the films, taking
place anywhere from 25,000 years before The Phantom Menace to 140 years
after Return of the Jedi. The first Expanded Universe story
appeared in Marvel
Comics' Star Wars #7 in January 1978 (the first six issues of
the series having been an adaptation of the film), followed quickly by Alan Dean Foster's novel Splinter of the Mind's Eye the following month.[93]
George Lucas retains artistic control over the Star
Wars universe. For example, the death of central characters and similar
changes in the status quo must first pass his screening before authors are
given the go-ahead. In addition, Lucasfilm Licensing devotes efforts to ensure
continuity between the works of various authors across companies.[94] Elements of the
Expanded Universe have been adopted by Lucas for use in the films, such as the
name of capital planet Coruscant,
which first appeared in Timothy
Zahn's novel Heir
to the Empire before being used in The Phantom Menace.
Additionally, Lucas so liked the character Aayla Secura, who was
introduced in Dark
Horse Comics' Star Wars series, that he included her as a character
in Attack of the Clones.[95]
Lucas has played a large role in the production of
various television projects, usually serving as storywriter or executive
producer.[96] Star Wars
has had numerous
radio adaptations. A radio adaptation of A New Hope was first
broadcast on National
Public Radio in 1981. The adaptation was written by science fiction
author Brian Daley and directed by
John
Madden. It was followed by adaptations of The Empire Strikes Back
in 1983 and Return of the Jedi in 1996. The adaptations included background
material created by Lucas but not used in the films. Mark Hamill, Anthony Daniels, and Billy
Dee Williams reprised their roles as Luke Skywalker, C-3PO, and Lando Calrissian,
respectively, except in Return of the Jedi in which Luke was played by
Joshua Fardon and Lando by Arye Gross.
The series also used John Williams' original score from the films and Ben Burtt's original sound
designs.[97]
Other films
In addition to the two trilogies and The Clone Wars film, several other authorized films have
been produced:
- The Star Wars Holiday Special, a 1978 two-hour television
special, shown only once and never released on video. Notable
for the introduction of Boba Fett.
- Caravan of Courage: An Ewok Adventure, a 1984
American made-for-TV film—released theatrically overseas.
- Ewoks: The Battle for Endor, a 1985 American made-for-TV
film—released theatrically overseas.
- The
Great Heep, a 1986 animated television special from the Star
Wars: Droids TV series.
- Lego Star Wars: The Quest for R2-D2, a 2009
official comedy spoof primarily based on The Clone Wars film.
Animated series
Following the success of the Star Wars films and
their subsequent merchandising, several animated television series have been created
for the younger fan base:
- Star
Wars: Droids, also known as Droids, which premiered in
September 1985, focused on the travels of R2-D2 and C-3P0 as they shift
through various owners/masters, and vaguely fills in the gaps between the
events of Revenge of the Sith and A New Hope.
- Star
Wars: Ewoks and colloquially as The Ewoks, was
simultaneously released in September 1985 and focused on the adventures of
Wicket and various other recognizable Ewok characters from
the original trilogy in the years leading up to Return of the Jedi.
- Star Wars: Clone Wars animated
micro-series created by Genndy
Tartakovsky, which aired on Cartoon Network from
November 2003 to March 2005.
- Star Wars: The Clone Wars CGI-animated series continuation of the animated movie of the same name,
which has been airing on Cartoon Network since
October 2008.
- Untitled Star Wars Animated Series: an
animated comedy series written by Brendan Hay, who is a
writer for the comedy news show The Daily Show,
and with creative consulting from the co-creators of Robot Chicken: Seth Green and Matthew
Senreich. The series will take place during the original
trilogy and the setting will be remote from the front line of war.[98]
Literature
Main articles: List
of Star Wars books and List of Star Wars comic books
Star Wars-based fiction predates
the release of the first film, with the 1976 novelization of Star Wars (ghost-written by Alan Dean Foster and
credited to Lucas). Foster's 1978 novel, Splinter of the Mind's Eye, was the first Expanded
Universe work to be released. In addition to filling in the time between A
New Hope and The Empire Strikes Back, this additional content
greatly expanded the Star Wars timeline before and after the film
series. Star Wars fiction flourished during the time of the original
trilogy (1977–1983) but slowed to a trickle afterwards. In 1992, however, Timothy Zahn's Thrawn trilogy debuted,
sparking a new interest in the Star Wars universe. Since then, several
hundred tie-in novels have been published by Bantam and Del Rey. A similar
resurgence in the Expanded Universe occurred in 1996 with the Steve
Perry novel Shadows of the Empire, set in between The Empire
Strikes Back and Return of the Jedi, and accompanying video game and
comic book series.[99]
LucasBooks radically changed the face of the Star Wars
universe with the introduction of the New
Jedi Order series, which takes place some 20 years after Return
of the Jedi and stars a host of new characters alongside series originals.
For younger audiences, three series have been introduced. The Jedi Apprentice series follows the adventures of Qui-Gon
Jinn and his apprentice Obi-Wan Kenobi prior to The Phantom Menace. The Jedi Quest series
follows the adventures of Obi-Wan and his apprentice Anakin Skywalker in
between The Phantom Menace and Attack of the Clones. The Last of the Jedi series follows the adventures of
Obi-Wan and another surviving Jedi almost immediately following Revenge of
the Sith.
Marvel
Comics published Star Wars comic book series and adaptations
from 1977 to 1986. A wide variety of creators worked on this series, including Roy Thomas, Archie
Goodwin, Howard
Chaykin, Al
Williamson, Carmine
Infantino, Gene Day,
Walt Simonson, Michael
Golden, Chris
Claremont, Whilce
Portacio, Jo Duffy,
and Ron Frenz. The Los Angeles
Times Syndicate published a Star Wars newspaper strip by Russ Manning, Goodwin and
Williamson[100][101] with Goodwin
writing under a pseudonym. In the late 1980s, Marvel announced it would publish
a new Star Wars comic by Tom Veitch and Cam Kennedy. However, in
December 1991, Dark
Horse Comics acquired the Star Wars license and used it to
launch a number of ambitious sequels to the original trilogy instead, including
the popular Dark Empire
stories.[102] They have since
gone on to publish a large number of original adventures set in the Star
Wars universe. There have also been parody comics, including Tag and Bink.[103]
Games
Main articles: Star Wars computer and video games, List of Star Wars video games, and Star
Wars Trading Cards
Since 1982, dozens of video games have been published
bearing the Star Wars name, beginning with Star Wars: The Empire Strikes Back
published for the Atari 2600
by Parker
Brothers. Since then, Star Wars has opened the way to a
myriad of space-flight
simulation games, first-person
shooter games, roleplaying
games, RTS
games, and others. Two different official tabletop role-playing games have
been developed for the Star Wars universe: a version by West End Games
in the 1980s and 1990s, and one by Wizards of the Coast
in the 2000s. The best-selling games so far are the Lego Star Wars and the Battlefront series, with 12 million and 10 million units
respectively.[104][105] Star Wars: Knights of the Old Republic is
also an extremely well known game.[106]
The most recently released games are Lego Star Wars: The Complete Saga, Lego Star Wars III: The Clone Wars, Star Wars: The Force Unleashed and Star Wars: The Force Unleashed II, for the PS3, PSP,
PS2, Xbox 360, Nintendo DS and Wii. While The Complete Saga focuses on
all six episodes of the series, The Force Unleashed, of the same name of
the multimedia project which it is a part of,
takes place in the largely unexplored time period between Revenge of the
Sith and A New Hope and casts players as Darth Vader's "secret
apprentice" hunting down the remaining Jedi. The game features a new game
engine, and was released on September 16, 2008 in the United States.[107][108] There are three
more titles based on the Clone
Wars which were released for the Nintendo DS (Star Wars: The Clone Wars – Jedi Alliance)
and Wii (Star Wars: The Clone Wars – Lightsaber Duels
and Star Wars: The Clone Wars - Republic Heroes).
Star
Wars trading cards have been published since the first 'blue'
series, by Topps, in 1977.[109] Dozens of
series have been produced, with Topps
being the licensed creator in the United States. Some of the card series are of
film stills, while others are original art. Many of the cards have become
highly collectible with some very rare "promos", such as the 1993
Galaxy Series II "floating Yoda" P3 card often commanding US$1000 or
more. While most "base" or "common card" sets are
plentiful, many "insert" or "chase cards" are very
rare.[110]
The board game Risk has been adapted to
the series in two editions by Hasbro: Risk Star Wars: The Original Trilogy Edition[111] (2006) and Risk Star Wars: Clone Wars Edition[112] (2005).
Fan works
Main article: Star
Wars fan films
The Star Wars saga has inspired many fans to
create their own non-canon material set in the Star Wars galaxy. In
recent years, this has ranged from writing fan-fiction to creating fan films. In 2002, Lucasfilm
sponsored the first annual Official Star Wars Fan Film Awards, officially
recognizing filmmakers and the genre. Because of concerns over potential copyright and trademark issues, however,
the contest was initially open only to parodies, mockumentaries, and
documentaries. Fan-fiction films set in the Star Wars universe were
originally ineligible, but in 2007 Lucasfilm changed the submission standards
to allow in-universe fiction entries.[113]
While many fan films have used elements from the licensed
Expanded Universe to tell their story, they are not considered an official part
of the Star Wars canon.
However, the lead character from the Pink Five series was
incorporated into Timothy
Zahn's 2007 novel Allegiance,
marking the first time a fan-created Star Wars character has ever
crossed into the official canon.[114] Lucasfilm, for
the most part, has allowed but not endorsed the creation of these derivative
fan-fiction works, so long as no such work attempts to make a profit from or
tarnish the Star Wars franchise in any way.[115]
Attractions
In 1986, George Lucas established a partnership with the
Walt Disney Company and its Walt
Disney Imagineering division to create Star Tours, an attraction
that opened at Disneyland
in 1987. The attraction also had subsequent incarnations at other Disney Parks worldwide, with the exception of Hong
Kong Disneyland.
The attractions at Disneyland and Disney's Hollywood Studios closed on July 27, 2010 and
September 7, 2010 respectively, in order to allow the rides to be converted
into Star Tours: The Adventures Continue. The
successor attraction opened at Disney's Hollywood Studios on May 20, 2011 and
June 3, at Disneyland.
The Jedi
Training Academy is a live show where children are selected to learn
the teachings of the Jedi Knights and the Force in order to
become Padawan learners. The show
is present at the Rebels
stage at Disney's Hollywood Studios and at the Tomorrowland
Terrace at Disneyland.
The Walt
Disney World Resort's Disney's Hollywood Studios park hosts an annual festival, Star
Wars Weekends
during specific dates from May to June. The event began in 1997.
Legacy
Main article: Cultural impact of Star Wars
The Star Wars saga has had a significant impact on
modern American pop
culture. Both the films and characters have been parodied in
numerous films and television.
- Notable film parodies of Star Wars include Hardware Wars, a
13-minute 1977 spoof which Lucas has called his favorite Star Wars
parody, and Spaceballs,
a feature film by Mel
Brooks which featured effects done by Lucas' Industrial Light
& Magic.[116][117]
- Lucasfilm itself made two mockumentaries: Return
of the Ewok (1982), about Warwick Davis, who
portrayed Wicket W. Warrick in Return of the Jedi; and R2-D2: Beneath the Dome (2002), which depicts R2-D2's
"life story".[118][119]
- There have also been many songs based on, and in,
the Star Wars universe. "Weird Al" Yankovic recorded two parodies:
"Yoda",
a parody of "Lola"
by The Kinks; and "The Saga Begins",
a parody of Don
McLean's song "American
Pie" that retells of The Phantom Menace from
Obi-Wan Kenobi's perspective.[120]
- In television, the creators of the Robot Chicken
series have produced three television specials satirizing the Star Wars
films ("Robot Chicken: Star Wars", "Episode II", and "III"), and are developing an
animated comedy series based in the Star Wars universe.[121] The
creators of the Family
Guy series have also produced three Star Wars
specials titled "Blue Harvest", "Something, Something, Something, Dark Side",
and "It's a
Trap!".[122]
When Ronald
Reagan proposed the Strategic Defense Initiative (SDI), a system of lasers and
missiles meant to intercept incoming ICBMs, the plan was quickly labeled "Star Wars,"
implying that it was science fiction and linking it to Ronald Reagan's acting
career. According to Frances FitzGerald, Reagan was annoyed by this, but Assistant
Secretary of Defense Richard
Perle told colleagues that he "thought the name was not so
bad."; "'Why not?' he said. 'It's a good movie. Besides, the good
guys won.'"[123] This gained
further resonance when Reagan described the Soviet Union as an "evil empire".